To examine how Venetian seapower grew to become an effective force in the Mediterranean, an examination of how Venice herself came to exist must be conducted. After understanding how and why the Venetian Arsenal was the leading European shipbuilding center in the Mediterranean by the sixteenth century, as well as how and why Venetian shipwrights and artillerists by the fifteenth century were world leaders in artillery- and naval-innovation, conceptualizing the outcomes of the conflicts that Venice played a role in such as the battle of Lepanto will be possible. By covering key medieval Venetian terms of vocabulary, a better picture of Venetian seapower can be envisaged. A picture of medieval Venetian seapower must be clear in order to determine how it has influenced the Mediterranean in the early modern period. To conclude, a theory attempting to scry what the Mediterranean may have looked like by the twentieth century if the Venetian Arsenal never existed will be presented.
Today the word “breakfast” gets shuttlecocked across American streets like coffee. Ah, there’s nothing like a mug of coffee at 4 a.m. with some jazz music. Coffee’s good with breakfast, too. Hey, wait. Is that why we don’t have that much evidence of people eating breakfast Middle Ages?–because they didn’t have coffee? That’s a deep, sociological question. Today, I just want to answer the question “did people eat breakfast in the Middle Ages?” Unfortunately, I won’t be able to yes or no. There are hundreds of different answers!
Lindybeige is my hero, and to celebrate my love for this great genius I have adventured on a quest across the internet with my ten fingers in search of the best Lindybeige memes–the holy dank of the dank! During my derring-do I have come across many afoul memes, but none of them were as dank as these.
Please know I didn’t create these memes myself. I got them from the Facebook group Lindybeige Shirtposting and have compiled them so more gallant people can enjoy them, people whom may never see them otherwise.
While studying for a research paper about galley warfare I’ve come across a medley of interesting historical naval terms, all of which an author of realistic fantasy might find useful. The source for these terms is Gunpowder and Galleys: Changing Technology and Mediterranean Warfare at Sea in the Sixteenth Century by John Francis Guilmartin Jr, 1974, Great Britain, Cambridge University Press. Note: I have left out a host of terms for different cannons and seagoing vessels for these will be listed in upcoming posts. Here I define the meaning of: arraez, buenas boyas, presidio, azab, ciurmi, guerre de course, forzati, gente de cualidad, ghazi, scapoli, maryol, sipahi & timar.
Your identity and the outer world are in tandem, tugging on each other to shape the perception you hold of yourself. This means that your identity shifts as you steer your focus and concentration on different aspects of the outer world. Compare an American who collects guns and trucks and plays in the NFL to an American who collects books and swords and plays in Swordfish longsword tournaments; now quickly forgetting titular identities, do you think this difference of interest plays a role in their national and cultural identities? Without knowledge of medieval history, you might wonder how France became France and how Spain became Spain. If you know you’re Italian, you might read the works of the stilnovisti and fetch a sense of campanilismo.
Today, ghost stories are shared around campfires and bedsteads as sources of entertainment and have little to do with religion. In medieval times, however, these tales of ghosts haunting the living, though they may have been entertaining for some, revolved heavily around religious belief. Purgatory, a waiting terminal between Heaven and Hell, was where these ghosts were thought to reside. Therefore, to reveal how purgatory and other religious beliefs played an important role in forming the attitudes of medieval people, we may want to explore and analyze the common elements in these ghost stories further.
Whether it’s fantasy book covers, tabletop gaming or cinematography, to ask artists to be realistic let alone historically accurate would take away the very reason why many of these artists enter such beloved trades in the first place–creativity. Now with that out of the way, I still want to argue that there should be more realistic and historically accurate medieval-esque forms of entertainment in popular media for those of us who do appreciate it. Currently there’s very little of this. Non-medievalists mayn’t be able to spot all the inaccuracies but pedantic ones who do might be more entertained by TV shows that get things right.
It’s rather obvious that the classic fantasy wizard trope isn’t realistic, but YES, if done properly, a wizard can be realistic, especially in a story reflecting the Early Middle Ages, a time also known as the Dark Ages, during and after the steady decline of the Roman Empire. How so?
From “deshaché” and “esteté” to “decressant” and “bretesse,” I imagine these heraldic terms from medieval coats of arms would be especially useful to the literary grimdark or litHEMA fantasy writer. Though these heraldic words were originally used by French-speaking nobility across Europe to describe the layout of coats of arms or the garnishes of achievements, it’s easy to recycle them to artistically augment today’s literary fiction. I’ve proven this by adding a fictional example to each definition, and while many of these words were originally used as adverbs, it’s easy to restylize them into adjectives, or, when full liberty’s permitted, even nouns. I believe these words would be especially useful in the grimdark or litHEMA genres, as they have the potential to add realism to medieval fantasy. They’d also be extremely useful in historical fiction, as they’d surely add a literary touch if used carefully in the right places (unlike I’ve done with my humorous examples LOL). Each word’s been patiently gleaned from A New Dictionary of Heraldry (1739).
Here’s yet another thing that proves medieval people were much more sophisticated than we give them credit for–a long list of materials used in clothing, bedding, napery and drapery (with pictures).
Everything has a polar opposite–everything!–and so if such things as LitRPG, where common sense and practicality are completely ignored, can reach the market of fantasy books then so will such things as LitHEMA, where common sense and practicality are praised. This is inevitable! In other words if I don’t work towards the fruition of LitHEMA then someone else will, and this new fantasy subgenre will win its place in the market by merit whether the vast majority likes it or not.
LitHEMA takes “realism” and “grittiness” one step beyond Grimdark. Like LitHEMA, much Grimdark may also be called low fantasy, dark fantasy or historical fantasy. There is something special about it that keeps certain readers with certain tastes coming back and back again. But what separates LitHEMA from all these similar genres?
Mega swords, super swords and all other kinds of made-up dragon-slaying swords belong where they rightly exist–in fantasy! But why do they belong there, and not in real life? In Earth’s historical reality, the European one-handed arming sword has become a well-known and predictable symbol. But in popular medieval fantasy, whether it be in video games, books, movies or comics, the European sword has become a target for unpredictable creative reinvention!
Before you hit me with “realism in fantasy only means consistency”, consider that ancient and medieval people knew what they were doing and their armor looks the way it does for very important reasons. Here I will be taking a brief look at a few popular fantasy tropes and compare them to historical reality to show you why much fantasy armor is impractical in real life.
“You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”
Thank you for that great truth, R. Buckminster Fuller, for that’s exactly what I intend to do with my precious time on this blessed earth!
In my quest to paint a perfect image of medieval times for myself, I, with wide eyes, enter such chansons de geste, or “poems of courage,” as that of The Song of Roland and can’t help myself from identifying a few misconceptions about life in the Middle Ages.
Though they may be filled with fantastical magic and myths, these chansons de geste, taking place in the 9th century, portray a much more realistic picture of medieval times compared to the majority of today’s medieval fantasy fiction. In the epic poems of Charlemagne, you’ll find small groups of courageous knights valiantly defending breaches in their towers with their shields against hordes of javelin-throwing Saracens. Sieges last for months, and knights are careful to arm themselves rightly in real, historical armor. But despite all this awesome realism, authors love to boon their storytelling with another sort of awesomeness–the fantasy trope. Aye, the trope, a cliché or misconception added for entertainment’s sake, is even highly abundant in the French medieval epic poems of Charlemagne!
If a masterpiece of artful and amazing prose on the human experience never reaches the public eye, is never praised by academics, never sells a single copy, is it still literature?
Who decides what is literature and what isn’t? Elitist assholes or literary experts? If you wish to skim through this blog post, I’ve bolded the juicy bits for your convenience. If you wish to read normally, please keep in mind that by “literature” I don’t simply mean “literate material,” but Merriam-Webster’s 3rd definition: “writings in prose or verse; especially : writings having excellence of form or expression and expressing ideas of permanent or universal interest.”
What we need to do to understand literary fantasy is make a line between realistic literary fantasy for adults, like A Game of Thrones, and unrealistic literary fantasy for children and young adults, like The Hobbit or Cinderella, because by doing this we’ll notice there’s a middle ground between these two extremes, and, for a reason I’ll explain, this middle ground isn’t considered literature. Bear with me if you can. This is just theory for the mind, so bring a bucket of salt and we’ll have some fun.
Welcome! Military words like danegeld and scutage have been reserved for an upcoming list about medieval laws and crimes. Similarly words like centenar, turcopole and mameluke, aside from a few favorite titles, have been saved for an upcoming list about medieval titles and peerages. Likewise for your patience words like portcullis,
Millennials are no longer making the same unethical and environmentally-damaging mistakes made by our predecessors in the Industrial Revolution. Thinkers, noticing this change, like to call our current conditioning “post-modern.” They are right to do so because history is never static. She is contently and constantly on the move. We cannot be modern forever. The word, for me at least, conjures images of World War I and II. But on the other hand, “The Second Renaissance,” when uttered, augurs images of green energy and nations working together.
There are hundreds of wonderful channels on YouTube devoted to history and medieval studies. You’ll see the channels here have earned their followers rightly for your academic pleasure. Even though these channels and many others have been branded together as “The Community of the Sword,” each one is very unique. Some channels provide a more in-depth look at traditional fantasy compared to historical reality by commentating on popular movies. Others ignore modern popular culture and teach HEMA and medieval armor at highly professional levels. For your convenience and mine I’ve simply taken the liberty of giving each one an award.
Like any artform fantasy is susceptible to change. Think of 60s rock-and-roll and compare it to modern rock, 90s cartoons compared to cartoons today. Just like how music is changing due to technology, fantasy is changing due to a flux of information on the internet. The re-discovery of medieval combat treatises is putting a heavy responsibility on the shoulders of everyone who works with medieval themes, especially writers. But as things change the more they stay the same.
It’s common for people to confuse magical realism with fantasy, but what, I ask, after understanding their differences, would they look like combined? Combined, would it simply be medieval historical fiction with some magic thrown in or would we be dealing with a whole new genre? You may find my conclusion very interesting.
First let me briefly describe what I find to be the extreme difference between the two genres.
Magical realism uses magic to bring the reader closer to reality, while fantasy uses the same to help the reader escape from it. Magical realism, in other words, brings us closer to truth. Fantasy, by its design, takes us away from truth. This is exactly why much magical realism is considered literature and why much fantasy is not. Literature, for reasons of academic growth, urges us to think in order to understand the meanings behind things in our own real world. Fantasy, though it may provoke thoughts now and then, wants us to escape from reality for reasons of pleasure.
I chose the title for this paper very carefully. A few months ago I might have said “time to begin the Great Crusade against Misconceptions in the Medieval Fantasy Genre,” but I’ve learned that in order to win this holy war we must not fight against what we hate–lies and misconceptions–but rather save what we love–truth!