To examine how Venetian seapower grew to become an effective force in the Mediterranean, an examination of how Venice herself came to exist must be conducted. After understanding how and why the Venetian Arsenal was the leading European shipbuilding center in the Mediterranean by the sixteenth century, as well as how and why Venetian shipwrights and artillerists by the fifteenth century were world leaders in artillery- and naval-innovation, conceptualizing the outcomes of the conflicts that Venice played a role in such as the battle of Lepanto will be possible. By covering key medieval Venetian terms of vocabulary, a better picture of Venetian seapower can be envisaged. A picture of medieval Venetian seapower must be clear in order to determine how it has influenced the Mediterranean in the early modern period. To conclude, a theory attempting to scry what the Mediterranean may have looked like by the twentieth century if the Venetian Arsenal never existed will be presented.
Your identity and the outer world are in tandem, tugging on each other to shape the perception you hold of yourself. This means that your identity shifts as you steer your focus and concentration on different aspects of the outer world. Compare an American who collects guns and trucks and plays in the NFL to an American who collects books and swords and plays in Swordfish longsword tournaments; now quickly forgetting titular identities, do you think this difference of interest plays a role in their national and cultural identities? Without knowledge of medieval history, you might wonder how France became France and how Spain became Spain. If you know you’re Italian, you might read the works of the stilnovisti and fetch a sense of campanilismo.
Today, ghost stories are shared around campfires and bedsteads as sources of entertainment and have little to do with religion. In medieval times, however, these tales of ghosts haunting the living, though they may have been entertaining for some, revolved heavily around religious belief. Purgatory, a waiting terminal between Heaven and Hell, was where these ghosts were thought to reside. Therefore, to reveal how purgatory and other religious beliefs played an important role in forming the attitudes of medieval people, we may want to explore and analyze the common elements in these ghost stories further.
Whether it’s fantasy book covers, tabletop gaming or cinematography, to ask artists to be realistic let alone historically accurate would take away the very reason why many of these artists enter such beloved trades in the first place–creativity. Now with that out of the way, I still want to argue that there should be more realistic and historically accurate medieval-esque forms of entertainment in popular media for those of us who do appreciate it. Currently there’s very little of this. Non-medievalists mayn’t be able to spot all the inaccuracies but pedantic ones who do might be more entertained by TV shows that get things right.
It’s rather obvious that the classic fantasy wizard trope isn’t realistic, but YES, if done properly, a wizard can be realistic, especially in a story reflecting the Early Middle Ages, a time also known as the Dark Ages, during and after the steady decline of the Roman Empire. How so?
Before you hit me with “realism in fantasy only means consistency”, consider that ancient and medieval people knew what they were doing and their armor looks the way it does for very important reasons. Here I will be taking a brief look at a few popular fantasy tropes and compare them to historical reality to show you why much fantasy armor is impractical in real life.
In my quest to paint a perfect image of medieval times for myself, I, with wide eyes, enter such chansons de geste, or “poems of courage,” as that of The Song of Roland and can’t help myself from identifying a few misconceptions about life in the Middle Ages.
Though they may be filled with fantastical magic and myths, these chansons de geste, taking place in the 9th century, portray a much more realistic picture of medieval times compared to the majority of today’s medieval fantasy fiction. In the epic poems of Charlemagne, you’ll find small groups of courageous knights valiantly defending breaches in their towers with their shields against hordes of javelin-throwing Saracens. Sieges last for months, and knights are careful to arm themselves rightly in real, historical armor. But despite all this awesome realism, authors love to boon their storytelling with another sort of awesomeness–the fantasy trope. Aye, the trope, a cliché or misconception added for entertainment’s sake, is even highly abundant in the French medieval epic poems of Charlemagne!
If a masterpiece of artful and amazing prose on the human experience never reaches the public eye, is never praised by academics, never sells a single copy, is it still literature?
Who decides what is literature and what isn’t? Elitist assholes or literary experts? If you wish to skim through this blog post, I’ve bolded the juicy bits for your convenience. If you wish to read normally, please keep in mind that by “literature” I don’t simply mean “literate material,” but Merriam-Webster’s 3rd definition: “writings in prose or verse; especially : writings having excellence of form or expression and expressing ideas of permanent or universal interest.”
What we need to do to understand literary fantasy is make a line between realistic literary fantasy for adults, like A Game of Thrones, and unrealistic literary fantasy for children and young adults, like The Hobbit or Cinderella, because by doing this we’ll notice there’s a middle ground between these two extremes, and, for a reason I’ll explain, this middle ground isn’t considered literature. Bear with me if you can. This is just theory for the mind, so bring a bucket of salt and we’ll have some fun.
Millennials are no longer making the same unethical and environmentally-damaging mistakes made by our predecessors in the Industrial Revolution. Thinkers, noticing this change, like to call our current conditioning “post-modern.” They are right to do so because history is never static. She is contently and constantly on the move. We cannot be modern forever. The word, for me at least, conjures images of World War I and II. But on the other hand, “The Second Renaissance,” when uttered, augurs images of green energy and nations working together.
Like any artform fantasy is susceptible to change. Think of 60s rock-and-roll and compare it to modern rock, 90s cartoons compared to cartoons today. Just like how music is changing due to technology, fantasy is changing due to a flux of information on the internet. The re-discovery of medieval combat treatises is putting a heavy responsibility on the shoulders of everyone who works with medieval themes, especially writers. But as things change the more they stay the same.
It’s common for people to confuse magical realism with fantasy, but what, I ask, after understanding their differences, would they look like combined? Combined, would it simply be medieval historical fiction with some magic thrown in or would we be dealing with a whole new genre? You may find my conclusion very interesting.
First let me briefly describe what I find to be the extreme difference between the two genres.
Magical realism uses magic to bring the reader closer to reality, while fantasy uses the same to help the reader escape from it. Magical realism, in other words, brings us closer to truth. Fantasy, by its design, takes us away from truth. This is exactly why much magical realism is considered literature and why much fantasy is not. Literature, for reasons of academic growth, urges us to think in order to understand the meanings behind things in our own real world. Fantasy, though it may provoke thoughts now and then, wants us to escape from reality for reasons of pleasure.
I chose the title for this paper very carefully. A few months ago I might have said “time to begin the Great Crusade against Misconceptions in the Medieval Fantasy Genre,” but I’ve learned that in order to win this holy war we must not fight against what we hate–lies and misconceptions–but rather save what we love–truth!
I could just say ‘keep a dictionary by the toilet’ and end this article there but I actually found a very efficient way for everyone to grow their vocabularies at alarming rates. Get ready to impress your friends! Most people unintentionally grow their vocabulary over many years, kind of like how laborers and lumberjacks unintentionally grow muscle mass. So to intentionally grow your vocabulary is very similar to purposely growing a six pack or losing 300 pounds; it takes hard work and dedication. But with the tips and advice you’ll find below, the journey to tripling or doubling your vocabulary in the next year will not only be easier but more fun as well.
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I heard two people on the street going on about this subject. One said he thought games were better because a good book was much harder to put down. The other said at least a good book can end and a good game these days never does, which is why they get people hooked. People get a hooked on books, too. Both are fun.
A friend of mine is often volunteering their time in social programs that aid the poor, so it was daunting when they asked what do I accomplish by writing books. This friend has already made the world a much better place. For example, they’ve built homes in third world countries, donated tons of money to the homeless, helped numerous fundraisers do the same, etc. I may have made that list small but that’s all stuff I’ve never done before. I believe it’s important to leave the world better than how you found it, but this question struck me hard at first because I wondered, “Am I just writing books for myself, or am I making the world a better place, too?”
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People claim that sustainable development is possible and thriving; however, this paper argues that the physical practice of sustainable development barely exists in today’s reality and is actually a paradox. In order to argue this standpoint, the difference between development and sustainable development must be clear. Development is all the processes involved in progressing complex societies (economy, infrastructure, food supply etc.) Sustainable development is similar to development except it promises to sustain resources and maintain a similar quality of life for future generations. Notions of sustainable development also promise to combat poverty.