As usual, trying to answer these hypothetical questions will allow us to see a much bigger picture, and by the time you’re done reading this article you should know a lot more about medieval finance, theology and philosophy. For a skimmer’s convenience, I bolded keywords and juicy bits besides my juiciest conclusions at the end.
Usury in the Latin West and riba in the Muslim world are similar but have their differences. Essentially, they’re both … More
Here’s an epic list of medieval garments and clothes from the Middle Ages in no particular order, with a bonus list of 30 Early Modern articles at the end! This glossary of medieval clothing terms will be updated yearly as new items are brought to my attention.
To understand why and how military helmets evolved in medieval England this paper will analyse key details of two helmets, namely the Benty Grange helmet, a seventh-century Anglo-Saxon artifact, and the Pembridge helmet, a fourteenth-century English artifact. Key details include construction methods, construction materials, defensive features and iconography, which if analysed together can help to explain why the design of helmets changed so dramatically over this seven hundred year gap of time.
The erotic badge from ca. 1415 Bruges of three phalli carrying a vulva on a litter has many scholars trying to answer what it symbolizes and what context it was worn in. Was it a pilgrim badge or a secular Carnival joke? Let us attempt to explain…
Stone fortresses with curtain walls, keeps, gatehouses and postern gates have existed in Europe for thousands of years before the Middle Ages. For instance, Mycenae on Crete (1350 BC) has all the characteristics of a medieval castle. Despite this, many scholars agree that the Normans were the ones to popularize castles in Europe, let alone medieval Europe. After all, the British Isles did not see many castles being built of stone until after the Norman Conquest of 1066…
The Deeds of Frederick Barbarossa written by Bishop Otto of Freising in the twelfth century sheds light on a general mood of the populace or theme of the Roman empire during this time. The general theme presented by Otto is the constant struggle for superior “divine” authority between Roman pontiffs and the emperors of the empire. Another minor theme is the struggle between reason and faith in the populace of the empire. Otto’s history on Frederick Barbarossa contains four books, the latter two being written by Rahewin, so this paper will focus primarily on the first two books of the history which were written by Otto.
The classic fantasy knight is a wonderful invention, simple in design and easy to write. They are heroes of the battlefield, loyal to their kings, and there is a lot we can learn from the Middle Ages by reading about them. Generally speaking, however, they are very far from the real medieval knight and if they were presented more realistically we could learn a whole lot more. Not every knight was a hedge knight or a knight errant. Most of them had their sh*t together. So how can we make our fantasy knights more like the real knights of the Middle Ages? If there’s one thing reading dry history books and attending university lectures has taught me, it’s how to answer that question! So here are four ways you can make your fantasy knights a whole lot more realistic and historically accurate! And, thank the good gods, none of them have to do with tournaments and damsels in distress!
Hopefully this discussion can help to answer the question “who were some of the first Germanic pirates and without getting too gritty in the details what are some cool things to know about naval warfare in the Early Middle Ages?”
Welcome to this tour through early medieval naval warfare and Dark Age maritime activity. Our exhibition will begin with a brief yet formal chronological jaunt along some of the many notable accounts of early Germanic piracy and Anglo-Saxon navy activity. Then we’ll explore Dark Age naval strategy and tactics before we conclude with a broad analysis of the material culture of early medieval naval warfare.
Faith to one’s lord and loyalty to one’s lord can mean the same thing in everyday speech, but like most words “faith” and “loyalty” also have secondary definitions depending on the context. Today, we’ll be exploring these secondary definitions within the context of a hero, warrior or knight in the Middle Ages. In order to examine the differences between heroic loyalty and chivalric faith in this medieval context, we must first clarify the differences between the heroic and the chivalric in medieval literature.
In a time before accurate guns, hawking and falconry were the best means of catching avian prey besides the odd “lucky bows-shot” or trapping, and falconers put many delicacies on the tables of aristocratic families. But because of the cost of equipment and the vast amounts of time needed to train predatory birds for hunting, hawking was deemed an “upper-class sport”. The female falcon was favored over the male hawk or tiercel because they were larger and fiercer. The kinds of quarry peregrines would catch were partridges, pheasants, cocks, ducks, bustards, geese, herons, snipes, cranes, mallards and larger falcons would even hunt rodents such as hares. Also, smaller predatory birds like the merlin were useful for hunting smaller birds like larks, and the lark tongue was a delicacy among nobles and wealthier townsfolk.
In the later Middle Ages, with the rise of universities and cathedral schools in urban areas across Europe, regulated organizations began to professionalize the trade of the surgeon or barber-surgeon (Siraisi 18). In Venice, there was a College of Physicians by 1316 which focused on a wide range of different medical practices (Siraisi 18). Bloodletting, however, was by far the most common medical practice throughout the Middle Ages, especially as it was less painful than cautery, and since all humors were believed to be in the blood, and since it was believed that by “disordered complexion” these humors could transform into unwanted secondary humors, bloodletting, or phlebotomy, allowed these unwanted humors to be removed from the body before the liver could produce more clean, pure blood (Siraisi 139).
Today, dragons are everywhere. Dragons in the Middle Ages, too, were everywhere, but not on cotton T-shirts, video games and plastic cups from the dollar store. The medieval dragon existed in such things as heraldry, aquamanilia, architecture and folklore. Anyone can tell you what a modern fantasy dragon looks like, but do dragons in our society have the same function as dragons in the Middle Ages? What are the different magical and physical characteristics of dragons throughout history? In order to give these questions justice we’re forced to learn a lot about dragons as they were depicted in medieval Europe—learn how to tame them if you will. Then, we’ll have to remove ourselves from Europe to observe the majestic dragons of the East because it could potentially be argued that the dragons that swam and flew from Chinese, Persian and Turkish cultures did more to influence what we think of when we say “dragon” today than the dragons of ancient Greece and Rome. We’ll conclude by taking a look at a few modern fantasy dragons in popular entertainment and nitpick their differences from the dragons of the past.
To examine how Venetian seapower grew to become an effective force in the Mediterranean, an examination of how Venice herself came to exist must be conducted. After understanding how and why the Venetian Arsenal was the leading European shipbuilding center in the Mediterranean by the sixteenth century, as well as how and why Venetian shipwrights and artillerists by the fifteenth century were world leaders in artillery- and naval-innovation, conceptualizing the outcomes of the conflicts that Venice played a role in such as the battle of Lepanto will be possible. By covering key medieval Venetian terms of vocabulary, a better picture of Venetian seapower can be envisaged. A picture of medieval Venetian seapower must be clear in order to determine how it has influenced the Mediterranean in the early modern period. To conclude, a theory attempting to scry what the Mediterranean may have looked like by the twentieth century if the Venetian Arsenal never existed will be presented.
Today, ghost stories are shared around campfires and bedsteads as sources of entertainment and have little to do with religion. In medieval times, however, these tales of ghosts haunting the living, though they may have been entertaining for some, revolved heavily around religious belief. Purgatory, a waiting terminal between Heaven and Hell, was where these ghosts were thought to reside. Therefore, to reveal how purgatory and other religious beliefs played an important role in forming the attitudes of medieval people, we may want to explore and analyze the common elements in these ghost stories further.
Here’s yet another thing that proves medieval people were much more sophisticated than we give them credit for–a long list of materials used in clothing, bedding, napery and drapery (with pictures).
Mega swords, super swords and all other kinds of made-up dragon-slaying swords belong where they rightly exist–in fantasy! But why do they belong there, and not in real life? In Earth’s historical reality, the European one-handed arming sword has become a well-known and predictable symbol. But in popular medieval fantasy, whether it be in video games, books, movies or comics, the European sword has become a target for unpredictable creative reinvention!
In my quest to paint a perfect image of medieval times for myself, I, with wide eyes, enter such chansons de geste, or “poems of courage,” as that of The Song of Roland and can’t help myself from identifying a few misconceptions about life in the Middle Ages.
Though they may be filled with fantastical magic and myths, these chansons de geste, taking place in the 9th century, portray a much more realistic picture of medieval times compared to the majority of today’s medieval fantasy fiction. In the epic poems of Charlemagne, you’ll find small groups of courageous knights valiantly defending breaches in their towers with their shields against hordes of javelin-throwing Saracens. Sieges last for months, and knights are careful to arm themselves rightly in real, historical armor. But despite all this awesome realism, authors love to boon their storytelling with another sort of awesomeness–the fantasy trope. Aye, the trope, a cliché or misconception added for entertainment’s sake, is even highly abundant in the French medieval epic poems of Charlemagne!
There are hundreds of wonderful channels on YouTube devoted to history and medieval studies. You’ll see the channels here have earned their followers rightly for your academic pleasure. Even though these channels and many others have been branded together as “The Community of the Sword,” each one is very unique. Some channels provide a more in-depth look at traditional fantasy compared to historical reality by commentating on popular movies. Others ignore modern popular culture and teach HEMA and medieval armor at highly professional levels. For your convenience and mine I’ve simply taken the liberty of giving each one an award.
I chose the title for this paper very carefully. A few months ago I might have said “time to begin the Great Crusade against Misconceptions in the Medieval Fantasy Genre,” but I’ve learned that in order to win this holy war we must not fight against what we hate–lies and misconceptions–but rather save what we love–truth!
Rule 1. SHOW HEMA IN ACTION: Grappling! Rondel daggers! Poleaxes! Niches in armor! LitHEMA, although some authors may or may … More
This is not a historical lesson with dates and events, but a mechanical lesson to explain the physical differences between … More
An estoc, used from the 14th to the 17th century, is an edgeless two-handed sword designed specifically for fighting against … More
Worn over a skirt of maille, a fauld is a piece of armor that sits under a breastplate, corresponding to a ‘culet’ which sits under the backplate on the other side (although in early medieval times, culets were rarely worn as maille over the arse was deemed ‘good enough’). A fauld consists of steel lames connected by strips of leather, albeit other less popular methods were sometimes used to connect them. The leather strips allow expansion and contraction, which is absolutely necessary because the fauld needs to contract when the wearer mounts a horse. Oftimes, additional ‘tassets’ were hinged to the bottom of faulds to hang over the ‘cuisses’ and provide additional protection for thighs.
Used historically by militia in the Franco-Flemish War of the 14th century, the goedendag is the combination of a club and a … More
In my niche, a popular argument is circulating. Should fantasy be more realistic? One side believes fantasy should take pride in being unrealistic because, after all, it’s fantasy.
The other side thinks fantasy is awesome, but the unrealistic armour, fighting styles and architecture makes it not as good as it could be. They believe more realism can make fantasy more believable, and therefore more entertaining. I’m a gamer as well as a medievalist, so in a way I support both sides of this argument, though anyone who’s chatted with me could tell you I support one side more. For the bulk of this spiel, however, I’ll forget my opinion to explain this popular argument more thoroughly, or at least I’ll try to.
The plow, the ox, the roof and the fool are real sword stances from medieval treatises and historical manuals (check out the famous Solothurner Fechtbuch) and are still used by HEMA students today. These four sword positions are also similar to the basic stances used by samurai in different periods. There are many, and some would say an unlimited number of stances a swordsman can hold, especially if you do LARP or Hollywood choreography (lmao), but these four guards below are the universal, historical ones, and I believe understanding them can empower any novice sword owner. Now I will briefly explain their uses and applications from an outright amateur’s perspective.